July 9th, 2012 by Zachary Sachs
I’m surprised I haven’t brought this up before (or only in passing), considering that on any given tour that includes the Seymour Chwast collection, it’s what I invariably find myself babbling about. One of the key aspects of the originals by Seymour and Milton Glaser is the effect of layering devices in analog composition process. Chwast’s characteristic style is often — with amazing precision — composed of paper cut to shape upon which a clear sheet overlays the black outline. It’s incredibly meticulous. It’s a little tricky to demonstrate this in photographs and needless to say this is only one example among many.
A treasure trove of art and graphics from The Milton Glaser Design Archives. Rare, unseen printed work, original art, and drafts for design and illustration by Glaser, Heinz Edelmann, Seymour Chwast, George Tscherny, James McMullan, and others. For even more design ephemera and art from the School of Visual Arts, see also http://containerlist.glaserarchives.org.